The civil rights activist in Washington state who came under
fire for her racial identity, said she was stepping down June 15, 2015.
March 2, 2015 Rachel Dolezal at her home in Spokane, Wash.
Colin Mulvany/AP
Dave Chappelle is a very funny guy, but no buffoon. This recent article offers a chance to glimpse the range of life's complex issues that he plays with in both his contemplative moments and his comedic performances. There is definitely a serious mind and a grounded 'method' which draws inward all the input that fuels his 'madness'. Enjoy this straight talk from another example of a Black man that lives true to his unadulterated sense of integrity.
lovu,
Kendke
Here’s why~
June 14 at 9:15 PM
Comedian
Dave Chappelle takes a selfie with the Duke Ellington School for the
Arts seniors at their graduation at the George Washington University
Lisner Auditorium on June 14. Chappelle is an alumnus of the high school
and gave the commencement address. (Erin Schaff for The Washington
Post)
Anyone who remembers great comedy from 2003-2006
remembers “Chappelle’s Show,” Dave Chappelle’s eponymous sketch program
that aired for just over two glorious seasons on Comedy Central.
One of his most memorable conceits was the
racial draft,
in which various groups selected celebrities (usually multi-ethnic)
before they could get snatched up — for example, the black delegation
used their first pick on Tiger Woods, while the Latinos selected Elian
Gonzalez “before the white people try to adopt him as one of their own.”
So where would Rachel Dolezal go?
“I think black,” Chappelle said Sunday, referring to the Spokane, Wash., NAACP president who
last week was outed by her own parents as a white woman who had been masquerading as black for 10 years. “We would take her all day, right?”
Chappelle,
41, was in town to deliver the commencement address to this year’s
graduating class of his alma mater, the Duke Ellington School of the
Arts. In explaining why artists are important to contextualizing the
world, he cited Dolezal.
“The world’s become ridiculous,” he told
the awestruck grads at George Washington University’s Lisner
auditorium. “There’s a white lady posing as a black lady. There is not
one thing that woman accomplished that she couldn’t have done as a white
woman. There’s no reason!
She just needed the braids! I don’t know what she was doing.”
Despite
the mention in his speech, backstage and no longer held to the
constraints of a 15-minute time slot, Chappelle revealed why he would
wait a while before he incorporated any Dolezal jokes into his act, if
he decides to do so at all.
“The thing that the media’s gotta be
real careful about, that they’re kind of overlooking, is the emotional
context of what she means,” Chappelle said thoughtfully, between drags
of American Spirit cigarettes. “There’s something that’s very nuanced
where she’s highlighting the difference between personal feeling and
what’s construct as far as racism is concerned. I don’t know what her
agenda is, but there’s an emotional context for black people when they
see her and white people when they see her. There’s a lot of feelings
that are going to come out behind what’s happening with this lady.
“And she’s just a person, no matter how we feel about her.” Yes, the man who came up with the idea of
Clayton Bigsby, a blind black Klansman (who doesn’t know he’s black), was reserved when it came to Dolezal.
“I’m
probably not going to do any jokes about her or any references to her
for awhile ’cause that’s going to be a lot of comedians doing a lot. And
I’m sure her rebuttal will be illuminating. Like, once she’s had time
to process it and kind of get her wind back and get her message
together.”
Even though Sunday’s address marked a warm homecoming
for Chappelle, complete with standing ovations as he entered and exited
the stage, the comedian said it was “nerve-wracking” to address the
students. He was clearly humbled by the honor. Chappelle graduated,
“barely,” he said, in 1991.
“It seems like just yesterday, when
they announced my name to walk across the stage, it was like I had won a
prize,” Chappelle told the crowd. “It didn’t feel like something I had
earned. And then — I’ll never forget — I opened up the little book and
there was no diploma in it.”
Chappelle asked why.
“They were like, ‘You owe books, man.'”
Chappelle recounted
the time his algebra teacher told the students they would need to pay
close attention because they would use the information for the rest of
their lives.
“I have never needed a single algebraic equation,” Chappelle said. He paused. “And I have made millions of dollars.
“The
world’s a changing place. Turns out, you don’t need to be smart because
the Internet. Most of the things you need to know — somebody’s already
thought about them.”
Chappelle also drew huge laughs when he shot
back with his own version of events after he was booed in Detroit
earlier this year on his comeback tour.
“Here’s the thing,” he said. “They said I got
booed off stage
on TMZ. I got booed, but I didn’t leave. I was contracted to do an hour
and that’s exactly what I did. And then a few people got mad and said,
‘we want our money back!’ And I said heeell no. I’m Evel Knievel. I get
paid for the attempt.”
He started sneaking into comedy clubs when
he was 14. His audition for Ellington wasn’t his best work. The night
before his audition, he went to a bookstore and asked for a monologue.
“Any monologue,” he said. “Just give me something.”
Brilliant, Black and now bald, Dave the man
Dave
Chappelle sits backstage after his speech at the Duke Ellington School
for the Arts graduation. (Erin Schaff for The Washington Post)
“I told them, ‘I
don’t!” Big laugh from the crowd. “I hang around comedy clubs and a
comedian told me if I wanted to be a successful comedian, I should learn
how to act. So, that’s why I’m here.”
It was the first time
during the entire process that the teachers smiled. And it was enough.
He was in. And 24 years later, he was back, a hometown boy who made
good.
In those years, Chappelle learned some things. And one of
the most valuable lessons, which he gleaned from another comedian, was
that he didn’t have to be constantly funny as long as he was always
interesting.
“Most comedians gauge success solely on laughter,”
Chappelle said backstage. “But basically, he put me on to the idea that
it’s other metrics besides laughter to gauge whether the show is going
well. A guy who only thinks about laughs is like having a 64-[crayon]
Crayola box but only using about 13 colors.”
So if laughs aren’t the metric, what is?
“Well,”
Chappelle said, “I’m not going to give you the secret recipe, but I’ll
tell you this: I have done, on many occasions, shows that have gone as
long as six hours. Nobody left. They weren’t uproariously laughing the
entire six hours, but I was interesting and they were fine with that.”
At
its height, before TiVo and other methods of delayed consumption became
ubiquitous, “Chappelle’s Show” was appointment television. Sketches
such as the racial draft and Clayton Bigsby still hold up as prescient
social commentary. Limited to just over two seasons, it became a part of
valued pop culture ephemera after Chappelle famously walked away from a
$50 million deal with Comedy Central, then jetted off to South Africa
and disappeared.
[
Dave Chappelle gets real: Does he regret walking away from millions of dollars?]
The
years that followed weren’t necessarily the kindest. Everyone wondered
if Chappelle had lost his mind. When he started doing the late-night
circuit to promote shows at Radio City Music Hall last year, Chappelle
had to address what everyone was wondering: What kind of man walks away
from $50 million? He
told David Letterman
he had $10 million in the bank, and that the difference between a life
with $10 million and a life with $50 million was “minuscule.”
In
April, the industry site Comedy Hype sent Chappelle fans into a tizzy
when it deduced that he was taping footage for a comedy special during a
tour stop in Austin.
[
Could it be? A new comedy special from Dave Chappelle?]
Chappelle wouldn’t confirm or deny whether a special was forthcoming, just that he had in fact been taping.
“I
don’t know if I’m going to put it out or not,” Chappelle said. “There’s
a few things I filmed I’ve been sitting on. … In an hour on television,
it’s hard to encompass everything you’re doing in a particular time in
your profession. You’ve got to look at it as a snapshot of a much-larger
picture. It’s like taking a class picture. You just want to die when
it’s over.”
So, after all that’s happened, is he happier?
“I’m
a more mature version of happy,” Chappelle said, contemplative again.
“When I was making the show, I was very happy. It was a very difficult
show. It was very exciting, it was fun, but I was happy to do it. … But
life is like the Crayola box I told you about. I use more crayons now
and I have a much rounder, happier experience, a fuller experience, a
more interesting experience just for doing it. And I know myself and my
preferences better than I did when I was a little younger.
“I’m
happier in the way a guy gets happier when he starts to mature,” the
comedian said. “It doesn’t make things easier, but I’m so much better at
handling them.”