Wednesday, July 31, 2019

See-Saw Diplomacy Lets People Play Together Along U.S. Border Wall






A set of pink seesaws allowed people to share some fun along the U.S.-Mexico border wall this week. Here, a woman helps her little girls ride the seesaw that was installed near Ciudad de Juarez, Mexico.
Christian Chavez/AP
A stretch of the border wall between the U.S. and Mexico was adorned with a set of pink see-saws this week — allowing children (and grownups) to play together across the barrier. The event was "filled with joy, excitement, and togetherness," says architect Ronald Rael, a leader of the project.
The seesaws were installed on Sunday, when their steel beams were eased through the slats of the tall fence that divides Sunland Park, N.M., from Colonia Anapra — a community on the western side of Ciudad Juárez in Mexico.
"Everyone was very happy and excited to engage the seesaws," Rael says via email, describing the mood at Sunday's event. And while he admits to being a little nervous about the completion of a project that had been brewing for 10 years, he says it went off without a hitch.
"It was peaceful and fun — a day at a park for the children and mothers of Anapra," Rael says.

Click this link and hopefully you can see the fun. Be sure to also view the other images by selecting the side arrows:
https://www.instagram.com/p/B0fY2R6hfKr/ 

The seesaws were created by Rael and fellow architect Virginia San Fratello; the two are partners in a design firm. By installing playground toys, they sought to tweak the meaning of a border fence.
"The wall became a literal fulcrum for U.S. - Mexico relations" once the seesaws were added, Rael said in an Instagram post about the project.
Rael, who teaches at the University of California, Berkeley, added, "children and adults were connected in meaningful ways on both sides with the recognition that the actions that take place on one side have a direct consequence on the other side."
In a statement to NPR, Rael and San Fratello say the installation was made to be temporary, adding that the seesaws — fabricated in Juarez — could be installed quickly.
As for why they turned an idea from 2009 into a reality in 2019, they say the project "is incredibly important at a time when relationships between people on both sides are being severed by the wall and the politics of the wall."
To help install the seesaws, Rael and San Fratello collaborated with Colectivo Chopeke, a Juarez-based artist collective. And when everything was finally in place, children from Anapra joined Rael in riding on the seats, bouncing up and down with their fellow riders on the U.S. side.
Of course, it's unlikely that three seesaws could recast the tense and difficult discussions around U.S. immigration policies that have divided families from loved ones. Reflecting the high-profile attention the border has gotten, both Mexican soldiers and U.S. Border Patrol agents were present during Sunday's event.
"U.S. Border Patrol did not have a problem with it, nor did soldiers from Mexico," Rael says.
The bright pink teetertotters brought a new chance to see the border through the eyes of people who live along the divide — and for those people to see each other in a new light, even if their view was confined by tall steel slats.
"The joy that was shared this day on both sides is something that will stay with me forever," Rael said on Instagram Tuesday, in an update about the project. With that message, he posted a video of people playing on the pink seesaws, smiling at each other through the fence. Image may contain: one or more people, people standing, sky and outdoor
Ronald Rael, architect, and one of the project leaders.
Even before Sunday, the concept of putting seesaws on a border fence had already drawn acclaim for Rael and San Fratello. They note that their original drawings and models for a "Teeter-Totter Wall" are held by the Museum of Modern Art in New York and the San Francisco Museum of Modern Art.
While the original idea sprang forth as a way to contemplate trade and labor imbalances, the seesaws have taken on added meaning as President Trump has imposed strict policies along the border and vehemently spoken out against illegal immigration.
As Rael and San Fratello said via email, the seesaws are meant to tell the story of "how the actions on one side of the border have direct consequences on the other."

Wednesday, July 10, 2019

Don't Believe the HYPE:Maps Reveal Where the Creative Class Is Growing

Gadi Zamir

“The wood has a story and I have a story and we work together to bring it to reality." 
Gadi Zamir, Israeli born artist and founder of Negative Space Gallery and Studio, Cleveland, Ohio

 

 Here's an article I ran across today from the Atlantic City Log that I thought might be of value. Check it out and see what you think. Below is my comment posting as HRTSmiles, and that of another reader.

Maps Reveal Where the Creative Class Is Growing





  • I agreed with all4civility's comment. So I checked a dictionary to see if we were off, or missing something in Florida's piece. And this is what I came up with.
    Wow...This is SO DISTURBING. I read this looking for signs or directions to the new mecca for individuals like myself. Throughout history, due to the beauty of the natural environment, the open minds of the indigenous population and their respect that allows newcomers to live by the dictates of one's own conscience - certain spots have attracted sensitive, talented individuals to gather, live and create. These magnetic spots arise, attract life, glorify Life, solidify, nurture, grow and prosper, dissolve, and they move. How disappointed upon reading Florida to discover that he's created a chart, a measurement that would speak about "Creative Centers", and base it upon OCCUPATION.
    "...my creative class metric is based on occupation. About nine in 10
    Americans with a college degree are members of the creative class, which
    is made up of up of knowledge workers in education, healthcare, law,
    arts, tech, science, and business."
    In all of the fields he's listed except for the field of art, by today's common standards and actual practices in the Western world's workplace, I would consider these workers to be technicians. It is extremely rare, when a professional in the field of education, healthcare, law, science, business, is allowed to utilize their imagination, or captures an original idea, in the course of fulfilling their occupational duties. College and university education work hard to dissolve, any remaining imagination of new possibilities out of students. For the most part, college education is all about programming the individual to think and work in accordance with the status quo, so that they may fit in and keep it going.
    Florida needs to research the root definitions and meaning behind the word "CREATIVE". Before I wrote this, I also checked the meaning of the word, 'technician'. He's a professor, so perhaps his references are just steeped in his occupation. But I don't agree, and I take issue, with this article, which presents a bunch of charts and statistics, that are misleading, in the idea, that the places noted are where a 'Creative "CLASS???" of people are relocating.




  • Florida fails to clearly lay out his definition of “creative class,” making this piece meaningless.

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