Monday, July 30, 2012

How Some People Think.......

I've decided to add a new feature to the blog. You know I like sharing what's beautiful and interesting in the world of nature under my Nature At It's Best headline. Well I'm adding a new one, and it's called How Some People Think.....

Under this heading, I'll share some of the odd, funny, unusual and bizarre thoughts that are swirling around in the heads of the human race.

Here's the first entry. I'm sharing this one because no matter what the state of affairs in our personal lives or in the world, we all need to laugh more. I ran across this one in the Comments on a right-wing site under a blog entitled: Mitt Romney in Israel. The comment was submitted by Towson, Maryland lawyer, E. David Silverberg.

en-Joy!
Kentke



BULLETIN: THIS JUST IN: EIGHT ISRAELIS DECLARE WAR ON IRAN:

STORY BELOW




The President of Iran, Mahmoud Ahmadinejad, was wondering who to invade when his telephone rang.

“This is Mendel Schlepper in Tel Aviv. We’re officially declaring war on you!”

“How big is your army?” the Iranian president asked.

“There’s me, my cousin Moishe, Avi Goldberg and our pinochle group, Max, Larry, Jacob, Ari and Joshua !”

“I have a million in my army,” said the president.

“I’ll call back!” said Mendel .

The next day, he called. “The war’s still on!” We have now a bulldozer, and Simcha Goldberg’s tractor.”

“We have 16,000 tanks, and the Iranian army is now two million men.”

” Oy gevalt !” said Mendel . “I’ll call back.” He phoned the next day.

“We’re calling off the war.”

Why?” asked the president.

“Well,” said Mendel , “we’ve had a little chat, and there‘s no way we can feed two million prisoners.

Thursday, July 12, 2012

Turn off the Lights, See the Brilliance of "The City Dark"

I caught the end portion of this on TV the other night, and loved what I was able to see. Science is learning that all this constant artifical light is having a serious negative effect on our health. I was describing the program to an acquaintenance that also loves the dark starry night. Well good newz for both of us, and now you also because I discovered the program is available online until August 5th!!

Scroll down for an article about it, then click this link to watch: http://www.pbs.org/pov/citydark/
en-joy!
Kentke


The Advance of Electric Light Has Sent Nighttime into Retreat, With Astonishing Effects on Humans and Wildlife



"A documentary about light pollution that is entertaining and thought-provoking? It hardly seems possible, but that's what Ian Cheney has made in The City Dark. . . . This film makes you want to go find a starry sky to camp under quickly, before it's all gone."—Neil Genzlinger



New York Times
NEW YORK, June 27, 2012 /PRNewswire-USNewswire/


The town in rural Maine where Ian Cheney spent much of his childhood has about 4,000 residents. Waldoboro had electric lights, but on a cloudless and moonless night, it was impossible not to be struck by the incredible array of stars visible above. Cheney became deeply curious about the stars, as humans have been for millennia. He followed his passion into amateur astronomy, fashioning his own homemade telescope, and then into astrophotography to capture the wondrous scenes that revealed themselves at night.

But when Cheney moved to New York City, his familiar world of light and dark was upended. In this metropolis, light was everywhere—but starlight was much harder to find. New York's brilliance was undeniably alluring, yet for Cheney the glare of streetlights also suggested a deep loss. The City Dark follows Cheney's journey to discover the surprising and alarming costs of light pollution and the disappearance of the night sky.

The City Dark had its national broadcast premiere on Thursday, July 5, 2012 at 10 p.m. during the 25th anniversary season of the award-winning PBS series POV (Point of View). (Check local listings.) The film will
stream on POV's website July 6-Aug. 5. American television's longest-running independent documentary series, POV is the winner of a Special News & Documentary Emmy Award for Excellence in Television Documentary Filmmaking and two International Documentary Association Awards for Continuing Series.





The world's first light bulb was switched on in 1879, and since then artificial illumination has spread across an increasingly urban globe, radically changing humanity's relation to the night.

Yet light pollution is a phenomenon little noted except by those, like astronomers, whose endeavors have been directly hindered by the changes. Meditating on his dwindling connection to the stars, Cheney wonders about the global consequences of artificial lighting, and in The City Dark he sets out to discover what ecologists, cancer researchers, astrophysicists, philosophers and designers have to say about it. Cheney weaves these interviews with time-lapse images of the night sky, culled from tens of thousands of high-resolution still images shot around the world.
The filmmaker discovers an informative and intriguing cast of characters. Irve Robbins, a Brooklyn-born astronomer running the last remaining observatory in Staten Island, N.Y., is a surprising reminder that stars could once be studied in New York City. Now only the brightest objects shine through the light-polluted sky. Robbins says, "I've seen the Milky Way twice—when there were blackouts." At a vast Hackensack, N.J., warehouse filled with myriad light bulbs, owner Larry Birnbaum shows off antique bulbs, including an original Edison that still works, and explains that successive generations of bulbs have exponentially increased in brightness. Today's bulbs produce thousands more lumens than earlier ones—often many more lumens than we need.

The effect has not been lost on Manhattan Boy Scout Troop 718, whose leader jokes that wayfinding in a dark forest now means following the pinkish glow in the night sky. These Scouts must embark on a trip far from the city to see the Milky Way for the first time. Another native New Yorker, astrophysicist Neil deGrasse Tyson, describes falling in love with the stars during his first visit to the Hayden Planetarium in Manhattan—noting the irony of being smitten with an artificial night sky while the real sky above his own Bronx neighborhood revealed just a handful of stars.








Cheney leaves New York City seeking darker skies and finds his way to Sky Village, a dark-sky haven for astronomers in rural Arizona. While the village's denizens come from all walks of life, what draws them together is their need to be close to a dark night sky. Cheney visits a mountaintop in Mauna Kea, Hawaii, considered the best site for professional astronomy in the world. Astronomers rely on Pan-STARRS, the world's newest, largest telescope-camera to detect Earth-killing asteroids, but even here, urban growth in the valley below creates a luminous haze that impedes their work. "It's as though you're looking through fog," says John Tonry of the University of Hawaii.


But astronomers are far from the only ones affected by the worldwide retreat of the night. Biologists along the Florida coast have determined that thousands of hatching sea turtles die every year because they fail to make it to the ocean after they confuse the light-polluted horizon of the land with the starlit horizon of the sea and head the wrong way. Similarly, millions of birds, evolved to navigate by the stars, crash into brightly-lit city buildings each year during migration season. This raises the question: Do humans also need the dark?

Suzanne Goldklang for years worked a night shift selling jewelry on television. Now a breast cancer patient, she is surprised to learn about epidemiologist Richard Stevens' suggestion of a link between persistent exposure to light at night and increased breast cancer risk. Indeed, Stevens' research shows that female night-shift workers are almost twice as likely as day-shift workers to develop breast cancer. The disruption of humanity's millennial cycle of light and dark may have profound physiological consequences; the World Health Organization has even deemed shift work a probable carcinogen.

Artificial light has undoubtedly revolutionized life in numerous positive ways—beating back humanity's fears of the dark, extending the active day and facilitating productivity and social interaction. Historian Roger Ekirch notes that every civilization has expressed a fear of the dark.

Criminologist and former policeman Jon Shane says, "History is replete with examples of poorly lit areas that are transformed by light," and goes on a nighttime visit to a Newark, N.J., park once riddled with crime. Neighbors attest that the installation of more lighting has made the park markedly safer. But the extent to which increased lighting reduces crime remains controversial; and though Cheney acknowledges that humans are drawn to the light, he also asks if there's such a thing as too much light.

Notes astrophysicist Tyson, "When you look at the night sky, you realize how small we are within the cosmos. It's kind of a resetting of your ego. To deny yourself of that state of mind, either willingly or unwittingly, is to not live to the full extent of what it is to be human."

"Spending a lot of my childhood in rural Maine, I fell in love with the night sky and wanted to try and capture it as best I could," says director Cheney. "I used a Pentax camera borrowed from my dad, a high school photography teacher, and used an unforgivable amount of his Kodak Gold film. But when I moved to brightly lit cities, my connection to stars faded and I began to feel I was losing something important. I asked myself, 'Why do we need the stars?'"Cheney continues, "The City Dark took three years to make. I began by speaking with astronomers, which pushed me toward two other lines of inquiry: the intangible idea of our spiritual and emotional connection to the stars and the science of the night, including the effect on humans and wildlife.

The film carries these themes forward by weaving together more poetic, meditative footage of the night sky with handheld footage of people exploring these issues by day. My hope is that the film will inspire people to look up more; to reconsider the way their houses, streets and cities are lit; and to realize that tiny changes in the way we light our world can make a big difference."









The City Dark is a production of Wicked Delicate Films.

Produced in Association with American Documentary POV








About the Filmmaker:Ian Cheney (Director, Producer, Co-cinematographer, Co-editor) Ian Cheney is a Brooklyn-based documentary filmmaker. He grew up in New England and earned his bachelor's and master's degrees at Yale University. He co-created and starred in the Peabody Award-winning theatrical and PBS documentary King Corn (2007); directed the feature documentary The Greening of Southie (Sundance Channel, 2008); co-produced the Planet Green documentary Big River (2009); and directed the whimsical 2011 documentary Truck Farm, starring the farm Cheney planted in the back of his '86 Dodge pickup. He has been featured in The New Yorker, The New York Times, The Washington Post and Men's Journal, as well as on CNN, MSNBC and ABC's Good Morning America.


Cheney is a co-founder of FoodCorps, a national service program launched in 2011 that places young people in communities of need to plant and tend school gardens, teach nutrition education and source healthful foods for school cafeterias. In 2011, Cheney and longtime collaborator Curt Ellis received the Heinz Award for their innovative approach to environmental advocacy.
An avid astrophotographer, Cheney travels frequently to show his films, lead discussions and give talks about sustainability, agriculture and the human relationship to the natural world. He is currently working on two projects: The Search for General Tso, a documentary about the cultural history of Chinese food in America, and BLUESPACE, a feature documentary about the degradation and renewal of urban waterways and the search for water in outer space.









Credits:Director/Producer: Ian CheneyCo-producers: Tamara Rosenberg, Colin Cheney, Julia MarchesiCinematographers: Ian Cheney, Taylor GentryEditors: Ian Cheney, Frederick ShanahanOriginal Music: The Fishermen Three, Ben Fries
Running Time: 56:46
POV Series Credits:Executive Producer: Simon KilmurryCo-Executive Producer: Cynthia LopezVice President, Programming and Production: Chris White Series Producer: Yance Ford Coordinating Producer: Andrew Catauro









Awards and Festivals:
Jury Award, Best Score/Music, SXSW Film Festival, 2011
Grand Jury Prize, Best Feature, Environmental Film Festival at Yale, 2011
Best Professional Documentary Award, Real to Reel Film Festival, 2011
Best Documentary Award, Hardacre Film Festival, 2011
Audience Award, Kandy International Film Festival, 2011
Official Selection, Abu Dhabi International Film Festival, 2011
Official Selection, Independent Film Festival Boston, 2011
Official Selection, Maui Film Festival, 2011
Official Selection, Environmental Film Fest in the Nation's Capital, 2012
Official Selection, Green Film Festival in Seoul, 2012
For a complete list of awards and screenings, go to

www.thecitydark.com.
Source:
PR Newswire (http://s.tt/1g3AW)

Sunday, July 8, 2012

More Mali - A Government Unraveling - A Tale that'll have you Shaking your Head

In this April 1, 2012 file photo, coup leader Capt. Amadou Haya Sanogo addresses the media at his headquarters in Kati, outside Bamako, Mali. The ease of the junta's takeover in March, just six weeks before a presidential election, shows how quickly the course of a nation in this part of the world can change, despite or even partly because of funding and training from the U.S. It also underscores how fragile democracies remain in Africa, and how the fate of an entire country can still be bent by the ambitions of a single man.


(AP Photo/Rebecca Blackwell, File)






Jul 7, 7:12 PM (ET)

By RUKMINI CALLIMACHI


SEGOU, Mali (AP) - On the morning three months ago when the fate of Mali was irrevocably changed, Mamadou Sanogo awoke in the house here where he and his wife had raised six children, including a 39-year-old son, now a captain in the nation's army.


It was still dark outside. The elderly man got up and turned on the TV, setting the volume to low so as to not disturb his sleeping wife, according to relatives and friends. What he saw next made him shake her awake. "Come see what your imbecile son is doing," he yelled.


Instead of the normal newscast, they saw a group of soldiers huddled in front of the TV camera. It took them a moment to recognize their son, Capt. Amadou Haya Sanogo, who was announcing that the military had overthrown the government of Mali.


If the coup was a shock to his parents - his mother subsequently fainted - it seems also to have come as a surprise to Sanogo himself, who by all accounts had no plans for it. Perhaps most of all, it was like a bucket of ice water over the heads of Mali's 15.4 million people, who saw two decades of democracy collapse in just a few hours into what is rapidly becoming an ungovernable hole and a haven for al-Qaida-linked terrorists.

The ease of the takeover, just six weeks before a presidential election, shows how quickly the course of a nation in this part of the world can change, despite or even partly because of funding and training from the West. And it underscores how fragile democracies remain in Africa, and how the fate of an entire country can still be bent by the ambitions of a single man.


"This is considered a thing of the past in Africa. If you look at the video, it looks like a caricature of a 1970s coup," said Jennifer Cooke, director of the Africa program at the Washington-based Center for Strategic and International Studies. "This is why this is so tragic and disappointing - the trend for this kind of ham-handed power grab has been, fewer and fewer."


Mali is a landlocked nation twice the size of France that has long taken pride in its democratic track record, despite chronic poverty and repeated rebellions in the north.


In the past decade, the U.S. alone has poured close to $1 billion into Mali, including development aid as well as military training to battle an al-Qaida offshoot in the north. In doing so, the U.S. unwittingly also helped prepare the soldiers for the coup: Sanogo himself benefited from six training missions in the U.S., the State Department confirmed, starting in 1998 when he was sent to an infantry training course at Fort Benning, Ga.


He returned in 2001, 2002, 2004, 2008 and 2010 to attend some of the most prestigious military institutions in America, including the Defense Language Institute at the Lackland Air Force Base, Texas. He took a basic officer course at Quantico, Virginia, and learned to use a light-armored vehicle at Camp Pendleton, Calif.

Just a few weeks before the March takeover, Sanogo made a trip to Segou to say goodbye. He'd been accepted into a peacekeeping training course abroad and was due to leave sometime in April, said his cousin, Salif Sanogo.


What happened next is described by those who know him as an "accidental coup."


It started at the Kati military camp, where Sanogo lived in a decrepit housing unit with cement walls and a tin roof, just 10 kilometers (6 miles) over a barren hill from the presidential palace.


Sanogo, an English-language teacher at a military college, had failed several exams in officer school, according to Lt. Col. Oumar Diawara, an officer also stationed at the camp. However, because of his training in the United States and because he spoke and taught English, he gave off a worldly air. The rank-and-file soldiers looked up to him because he frequently socialized with them, unlike other officers who adhered to the strict hierarchy of military life.


Sanogo, officers said, was among the instructors fired last fall at a military college where five recruits died in a widely publicized hazing incident. He was sent back to Kati, said Diawara.

"He was there with no function," he said. "He had absolutely nothing to do."


In the meantime, anger was growing at the corruption that had spread like a tumor across the arteries of Mali's government and military: In recent years, the country dropped from No. 78 out of 182 countries to No. 118 on Transparency International's index tracking corruption.
In the military, generals sat in lavishly decorated offices while soldiers were routinely sent to the battlefield without proper boots. Earlier this year, an entire company of several dozen soldiers was wiped out after fighting a new rebellion in Mali's north without enough ammunition.


The troops at Kati started to plan a march to protest how the government had handled the rebellion. At around 1 p.m. on March 21, Minister of Defense Gen. Sadio Gassama came to the Kati barracks to ask them to call it off.


Soldiers who were present said the general talked down to them, and the crowd became angry. The mutiny erupted when the minister's bodyguard shot into the air in an effort to push back the mob.


"The minister spoke in a way that was not polite," said George Coulibaly, a civilian who lives in the Kati camp and accompanied the soldiers during the coup. "He said things like, 'You want to march? You're a bunch of uneducated people. I'll educate you.'"


The renegade troops stoned the defense minister's car as his driver floored the gas to get away. They forced the doors of the armory and emptied it out. Then they began hunting down the other officers, nearly all of whom fled or hid - except Sanogo, whose recent dismissal as an officer had given him credibility with ordinary soldiers.


The crowd, led by Sanogo, initially planned to march to the palace to dress down President Amadou Toumani Toure, said several soldiers. Instead, the president fled. They found themselves inside the seat of government.


"Our objective was not a coup d'etat," said Lt. Samba Timbo, one of the leaders of the putsch. "Not at first."


By late afternoon, around 100 soldiers had arrived at the state television station. They sent the employees home, and television screens across the country went black.


"The presidential palace fell in their laps," said the cameraman who helped them broadcast their first message, and who requested anonymity for his safety. "For two hours, not a single person, not a single interlocutor, tried to contact them to see what they wanted. To negotiate. It was after that they got the idea for a coup."


By the time Sanogo's father turned on the TV the next morning in Segou, some 240 kilometers (150 miles) northeast of the capital, the intentions of the soldiers had become clear. So had their leader.


When his mother saw him on TV, she at first refused to believe it was her son, called "Bolly" by friends and family. Shaken, she left the house and crossed a sandy courtyard to the home of his cousin, Salif Sanogo.


Salif Sanogo was brewing his morning tea on a bed of charcoal when she knocked. "She asked, 'Is it true? Is it true that Bolly did this?'" recalled the cousin. "We said, 'Yes, Ma. It's true.'"
She screamed. She got hysterical, and then she fainted. They carried her in and fanned her until she woke up.


If Sanogo's parents were initially mortified, they quickly became used to their new status. Just days after the coup, visitors started to line up outside their house on Road 270 in Segou.
In the capital, the soldiers were looting government buildings. A businessman with ties to the junta estimates that they raked in between $2 and $3 million in the first three days after the coup, from government safes they pried open.


Most of the ministries no longer have computers. And the normally 1 1/2-hour-long evening news hour is now just 40 minutes because all but a few of the cameras at the state television station were stolen.


Even while Sanogo said the army had only seized power to address rebellion in the north, the rebels took advantage of the confusion to seize half the country. Among the groups that invaded the north is Ansar Dine, or "Defenders of the Faith," an Islamic faction with ties to al-Qaida.


In the capital, Bamako, Sanogo and his men quickly made themselves at home. The captain held court from the office of the Zone 3 commander at Kati, a rundown colonial structure that became increasingly well-equipped. Each week, construction crews poured cement, updated the electrical wiring and hauled in new office chairs, their metallic legs still covered in plastic.


Months later, the future of both Mali and Sanogo remains uncertain.


A poll of 1,100 residents of the capital found that after the initial shock, about 60 percent were either "satisfied" or "very satisfied" with the coup because it put an end to a regime viewed as corrupt.


"Our democracy? It was a facade," said 54-year-old Soumara Kalapo, who took part in pro-coup demonstrations after the putsch. "Our democracy needed this coup so that it could right itself. ... It was a democracy run by, and benefiting, a mafia."


But in his last blog post before leaving Mali for the U.S., anthropologist Bruce Whitehouse lists the disastrous consequences of what happened, including the suspension of more than a billion dollars in aid, the closing of Bamako's flagship Grand Hotel and the government's loss of control of half its territory. Last month, Islamic fundamentalists announced that they now hold the major towns in the north.


"In the 90 days since the coup, it's hard to look at any area and see anything good," said Whitehouse, an assistant professor at Lehigh University in Bethlehem, Penn. "Some of us were looking for a silver lining. Months later, we can't see any reason for hope."


After countless diplomatic interventions, a round of sanctions and a library's worth of condemnations from world leaders, Sanogo finally agreed to step aside on April 6. But the young captain continued to meddle in state affairs until May, when he signed a second agreement promising to leave in return for the status of a former head of state. A diplomat versed on the matter said that status includes a salary of $9,000 a month, more than 30 times the salary of an army captain.


The former head of the national assembly, Dioncounda Traore, took over as interim president of a transitional government. In May, a mob of pro-Sanogo youth forced their way into his office and beat him. Traore was evacuated to France for treatment on May 23, and has not returned since.


Even the Wikipedia entry on Mali is confused about who is now in charge. In the box naming the head of the government, the online encyclopedia lists both Sanogo, as chairperson of the military junta, and Traore, as acting president.


Repeated attempts to speak to Sanogo for this article were unsuccessful.


On Wednesday, the body representing nations in western Africa sent notice that it does not recognize Sanogo's status as a former head of state, and threatened sanctions against him if he continues to obstruct the return to constitutional rule. But diplomats say businessmen are still waiting in front of the former commander's office to see him, with the customary suitcase of cash, a sign of his enduring influence.


Those around him still call him "Le President." And a framed portrait on the wall shows Sanogo, a green beret cocked to one side, next to the title, "Head of state."
---
Associated Press writer Baba Ahmed contributed to this report from Bamako, Mali.

Tuesday, July 3, 2012

Mali Islamists to Continue Destroying Timbuktu World Heritage Cultural Sites

Fighters from Ansar Dine, an al Qaeda-linked Islamist group in northern Mali, have destroyed historic Sufi shrines in the ancient desert city of Timbuktu, triggering international outcry.


I've been terribly upset by the news of the African Islamist group Ansar Dine's actions in the Malian city of Timbuktu. I wrote about their presence in the African nation in December 2011. That post is a good introduction to the this week's escalation of their objectives. (http://knewzfrommeroewest.blogspot.com/search?q=Islam+in+Africa)

They have embarked on a campaign to destroy all of the ancient tombs and Mosques which are both the heart of the local people's religion, and a much needed source of revenue for the remote area. The awesome buildings attract tourists from all over the world for their unique architectural design. The tombs and buildings that date back to the 15th century have been designated UNESCO World Heritage Sites, and the destruction which began Friday has attracted world attention and alarm.

To familiarize you with the region and situation, here are two articles about what's currently happening, and a very informative 7 minute video made in 2000 that shows the efforts Timbuktu was focused on accomplishing before these invaders arrived area with their agenda of wiping out indigenious culture and establishing the sharia law. I'm also going to add an article link at the end I hope you'll be sure to click as it gives an understanding behind the Ansar Dine group and their leader Ag Ghali.
Keep your head up.
Louv,
Kentke
Sorry about this post's layout. After the first article, please scroll down for the rest of the post.

Photo: A still from a video shows Islamist militants attacking a shrine in Timbuktu on Sunday. Credit: AFP / Getty Images




L A Times

July 2, 2012
Carol J. Williams in Los Angeles


Islamist rebels who have seized control of northern Mali used axes, shovels and automatic weapons to destroy tombs and other cultural and religious monuments for a third day on Monday, including bashing in the door of a 15th century mosque in Timbuktu, news agencies reported.


Rebels of the Ansar Dine faction fighting to assert Sharia law over the African nation at the crossroads of ancient trade routes ignored the appeals of United Nations officials over the weekend to cease the "wanton destruction" of the region's cultural heritage.


In New York, U.N. Secretary-General Ban Ki-moon on Sunday called on "all parties to exercise their responsibility to preserve the cultural heritage of Mali," saying the attacks "are totally unjustified.”


Irina Bokova, head of the United Nations Educational, Scientific and Cultural Organization, on Saturday urged the Ansar Dine fighters “to stop these terrible and irreversible acts” after militants smashed mud-walled tombs in Timbuktu.


On Monday, the Islamists, who claim allegiance to Al Qaeda, tore open the door to the Sidi Yahia mosque, telling townspeople they were wiping out "idolatry" at the monuments to Sufi Islamic saints and scholars.


"In legend, it is said that the main gate of Sidi Yahia mosque will not be opened until the last day [of the world]," said the town imam, Alpha Abdoulahi, according to Reuters news agency, which reached him in Timbuktu by telephone.


In radio and television interviews from Senegal, the newly appointed chief prosecutor of the International Criminal Court, Fatou Bensouda, warned the rebels that destruction of religious and cultural heritage could lead to war crimes charges.


“The only tribunal we recognize is the divine court of Sharia,” the Associated Press quoted Ansar Dine spokesmen Oumar Ould Hamaha as saying in response to Bensouda's warning.


The AP said Hamaha justified the destruction as a divine order to pull down idolatrous constructions "so that future generations don't get confused, and start venerating the saints as if they are God.”

Timbuktu had been developed as a tourist attraction, with locals operating hotels, guest houses and guided tours for visitors to the ancient sub-Saharan trading post and Islamic educational center.


Hamaha told the AP that Ansar Dine opposes tourists' coming to the religious sites, saying they "foster debauchery."






UNESCO put Timbuktu and the nearby Tomb of Askia on its List of World Heritage in Danger last week, after the Ansar Dine rebels seized the region that has been beset by a three-way civil war since a March 22 coup deposed Mali's government. The Islamist radicals have been fighting for territory with Taureg separatists since the latter defeated Mali government troops in the spring, leaving the capital Bamako rudderless and incapable of putting down either rebellion in the remote north.


"Timbuktu was an intellectual and spiritual capital and a center for the propagation of Islam throughout Africa in the 15th and 16th centuries," UNESCO notes on its website. "Its three great mosques, Djingareyber, Sankore and Sidi Yahia, recall Timbuktu's golden age."


The sites designated as important cultural heritage represent "the power and riches of the empire that flourished in the 15th and 16th centuries through its control of the trans-Saharan trade," UNESCO recalls in its description.


Fundamentalist Salafist Muslims have also attacked Sufi heritage sites in Libya and Egypt over the past year, and Al Qaeda-allied Taliban militants a decade ago blew up two 6th Century Buddha figures carved into a mountainside near Bamiyan, in central Afghanistan, on the same grounds that they idolized false gods.

Jul 1, 5:32 PM (ET)
By BABA AHMED

BAMAKO, Mali (AP) - Islamist rebels said Sunday they will continue to destroy historic sites in Mali's northern city of Timbuktu before they implement strict Shariah law, as Mali's government compared the destruction to "war crimes" and said they would seek international justice.

"Timbuktu was an Islamic city since the 12th century, and we know what the religion says about the saints' tombs," he said. "Contrary to what the Islamists or the Wahabis of Ansar Dine say, here in Timbuktu, the people don't love the saints like God, but just seek the saints' blessings because they are our spiritual guides."

Ansar Dine spokesman Sanda Abu Mohamed said Sunday that Islamists will continue the destruction they started Saturday. "We're going to destroy everything before we apply Shariah in this city," he said.

Resident Moussa Maiga said the Islamists have expressed disapproval of what they think is worship of the tombs of the Muslim saints. "They say that the population loves the saints like God," he said.
But resident Bouya Ould Sidi Mohamed said the historic city has long had Muslim roots.

Mali's government condemned the destruction, which they say is akin to "war crimes."

"The council of ministers has just approved, in principle, the referral to the International Criminal Court and a working group is working to this end," the government said in a statement.

The U.N. cultural agency on Saturday called for an immediate halt to the destruction of three sacred Muslim tombs. Irina Bokova, who heads the U.N. Educational, Scientific and Cultural Organization, cited in a statement Saturday reports the centuries-old mausoleums of Sidi Mahmoud, Sidi, Moctar and Alpha Moya had been destroyed.

On Thursday, UNESCO's World Heritage Committee, meeting in St. Petersburg, Russia, placed the mausoleums of Muslim saints on its list of sites in danger at the request of Mali's government.

Islamist fighters from the Ansar Dine group have declared that they now control the northern half of Mali after driving out an ethnic Tuareg separatist group. The rebel groups took advantage of a power vacuum created by a March coup in the capital to seize ground in the north.

The Islamists' growing reach is more worrying news for the landlocked West African nation.

U.N. Secretary-General Ban Ki-moon called the attacks on the mausoleums "totally unjustified" and urged all sides to preserve Mali's cultural heritage, according to a statement from his spokesperson.

" The secretary general reiterates his support for the ongoing efforts of ECOWAS, the African Union and countries in the region to help the government and people of Mali resolve the current crisis through dialogue," the statement said.
---_
Edith M. Lederer contributed from the United Nations in New York.

Click link for video: ON THE LINE: MALI: INTERNET: ITN Source



Here are some facts about Ansar Dine and its leader, Iyad Ag Ghali:


ANSAR DINE:

* The name means “Defenders of the Faith” and it follows the puritanical form of Islam known as Salafism, which looks to the religion’s 7th-century origins as a guide to conduct.

* Along with Tuareg separatist movement MNLA, Ansar Dine and other Islamists were among rebels who seized northern Mali following a March 22 coup in the capital Bamako, in the south of the country, which paralysed the Western-backed Malian army.

* Diplomats say Ansar Dine – with Al Qaeda in the Islamic Maghreb (AQIM), originally from Algeria, and al Qaeda splinter group MUJWA – have hijacked the MNLA’s secular separatist uprising and now control two thirds of Mali’s desert north, territory that includes the regions of Gao, Kidal and Timbuktu.

* Ansar Dine’s leader, renegade Tuareg chieftain Iyad Ag Ghali, has links with AQIM through a cousin who is a local commander, according to diplomats.

* In direct opposition to MNLA’s stated aims, Ag Ghali has rejected any form of independence of the northern half of Mali and has vowed to pursue plans to impose sharia, Islamic law, throughout the now divided west African nation in the Sahel.
* Ansar Dine’s turbaned fighters, who operate under the black Islamist flag, initially gained a reputation in the north for keeping order after outbreaks of looting. But when they started enforcing sharia – making women wear veils, shutting bars and shops selling alcohol, and lashing offenders – they earned hostility from locals who have a long history of practising a more liberal, tolerant style of Islam.
* Niger’s President Mahamadou Issoufou said last month that Afghan and Pakistani jihadists were training recruits for Islamist groups in the Malian north.
* Diplomats and analysts say Ag Ghali, long known as a power broker in the north of Mali, formed Ansar Dine late last year after failing in separate attempts to become head of the MNLA and of his Ifoghas Tuareg clan.
* The Islamist allies said last week they had now secured full control of the north after pushing the Tuareg separatists out of Gao in a battle that killed at least 20 people.



(The black flag of the Ansar Dine Islamic group is posted on a road sign in Kidal in northeastern Mali, June 16, 2012. REUTERS/Adama Diarra)

AG GHALI:
* Ag Ghali, an Ifoghas of the Kel Ireyakkan faction of northern Mali’s Tuareg nomads, was a commander in a 1990 rebellion against the central government in Bamako launched by the fiercely independent “blue men of the desert” warriors, who are known for their distinctive indigo-coloured robes and veils.
* He helped negotiate a peace deal with the Malian government, establishing his reputation as an influential, yet notoriously inscrutable figure among the Tuaregs.
* A leaked U.S. diplomatic cable from 2007 said the Malian government appointed Ag Ghali an adviser to its consulate at Jeddah, Saudi Arabia. The Jerusalem Center for Public Affairs, an Israeli think-tank, says it was at this time that Ag Ghali adopted Salafism before being expelled by the Saudi authorities.
* On his return to Mali he was again involved in 2008 as a mediator in helping to end another Tuareg rebellion, and took part in negotiations to free foreign hostages seized by AQIM.
* Another U.S. diplomatic cable says of the Tuareg leader: “Like the proverbial bad penny, Ag Ghali turns up whenever a cash transaction between a foreign government and Kidal Tuaregs appears forthcoming … Ag Ghali is … adept at playing all sides of the Tuareg conflict to maximize his personal gain.”

Monday, July 2, 2012

Got a Minute to Read This? Or are you Too Busy??




The ‘Busy’ Trap




By TIM KREIDER

June 30, 2012, 3:15 am — Updated: 2:53 pm




If you live in America in the 21st century you've probably had to listen to a lot of people tell you how busy they are. It's become the default response when you ask anyone how they're doing: "Busy!" "So busy." "Crazy busy." It is, pretty obviously, a boast disguised as a complaint. And the stock response is a kind of congratulation: "That's a good problem to have," or "Better than the opposite."


Notice it isn't generally people pulling back-to-back shifts in the I.C.U. or commuting by bus to three minimum-wage jobs who tell you how busy they are; what those people are is not busy but tired. Exhausted. Dead on their feet. It's almost always people whose lamented busyness is purely self-imposed: work and obligations they've taken on voluntarily, classes and activities they've "encouraged" their kids to participate in. They're busy because of their own ambition or drive or anxiety, because they're addicted to busyness and dread what they might have to face in its absence.


Almost everyone I know is busy. They feel anxious and guilty when they aren't either working or doing something to promote their work. They schedule in time with friends the way students with 4.0 G.P.A.'s make sure to sign up for community service because it looks good on their college applications. I recently wrote a friend to ask if he wanted to do something this week, and he answered that he didn't have a lot of time but if something was going on to let him know and maybe he could ditch work for a few hours. I wanted to clarify that my question had not been a preliminary heads-up to some future invitation; this was the invitation. But his busyness was like some vast churning noise through which he was shouting out at me, and I gave up trying to shout back over it.


Even children are busy now, scheduled down to the half-hour with classes and extracurricular activities. They come home at the end of the day as tired as grown-ups. I was a member of the latchkey generation and had three hours of totally unstructured, largely unsupervised time every afternoon, time I used to do everything from surfing the World Book Encyclopedia to making animated films to getting together with friends in the woods to chuck dirt clods directly into one another's eyes, all of which provided me with important skills and insights that remain valuable to this day. Those free hours became the model for how I wanted to live the rest of my life.



The present hysteria is not a necessary or inevitable condition of life; it's something we've chosen, if only by our acquiescence to it. Not long ago I Skyped with a friend who was driven out of the city by high rent and now has an artist's residency in a small town in the south of France. She described herself as happy and relaxed for the first time in years. She still gets her work done, but it doesn't consume her entire day and brain. She says it feels like college - she has a big circle of friends who all go out to the cafe together every night. She has a boyfriend again. (She once ruefully summarized dating in New York: "Everyone's too busy and everyone thinks they can do better.") What she had mistakenly assumed was her personality - driven, cranky, anxious and sad - turned out to be a deformative effect of her environment. It's not as if any of us wants to live like this, any more than any one person wants to be part of a traffic jam or stadium trampling or the hierarchy of cruelty in high school - it's something we collectively force one another to do.



Busyness serves as a kind of existential reassurance, a hedge against emptiness; obviously your life cannot possibly be silly or trivial or meaningless if you are so busy, completely booked, in demand every hour of the day. I once knew a woman who interned at a magazine where she wasn't allowed to take lunch hours out, lest she be urgently needed for some reason. This was an entertainment magazine whose raison d'être was obviated when "menu" buttons appeared on remotes, so it's hard to see this pretense of indispensability as anything other than a form of institutional self-delusion. More and more people in this country no longer make or do anything tangible; if your job wasn't performed by a cat or a boa constrictor in a Richard Scarry book I'm not sure I believe it's necessary. I can't help but wonder whether all this histrionic exhaustion isn't a way of covering up the fact that most of what we do doesn't matter.


I am not busy. I am the laziest ambitious person I know. Like most writers, I feel like a reprobate who does not deserve to live on any day that I do not write, but I also feel that four or five hours is enough to earn my stay on the planet for one more day. On the best ordinary days of my life, I write in the morning, go for a long bike ride and run errands in the afternoon, and in the evening I see friends, read or watch a movie. This, it seems to me, is a sane and pleasant pace for a day. And if you call me up and ask whether I won't maybe blow off work and check out the new American Wing at the Met or ogle girls in Central Park or just drink chilled pink minty cocktails all day long, I will say, what time?



But just in the last few months, I've insidiously started, because of professional obligations, to become busy. For the first time I was able to tell people, with a straight face, that I was "too busy" to do this or that thing they wanted me to do. I could see why people enjoy this complaint; it makes you feel important, sought-after and put-upon. Except that I hate actually being busy. Every morning my in-box was full of e-mails asking me to do things I did not want to do or presenting me with problems that I now had to solve. It got more and more intolerable until finally I fled town to the Undisclosed Location from which I'm writing this.



Here I am largely unmolested by obligations. There is no TV. To check e-mail I have to drive to the library. I go a week at a time without seeing anyone I know. I've remembered about buttercups, stink bugs and the stars. I read. And I'm finally getting some real writing done for the first time in months. It's hard to find anything to say about life without immersing yourself in the world, but it's also just about impossible to figure out what it might be, or how best to say it, without getting the hell out of it again.



Idleness is not just a vacation, an indulgence or a vice; it is as indispensable to the brain as vitamin D is to the body, and deprived of it we suffer a mental affliction as disfiguring as rickets. The space and quiet that idleness provides is a necessary condition for standing back from life and seeing it whole, for making unexpected connections and waiting for the wild summer lightning strikes of inspiration - it is, paradoxically, necessary to getting any work done. "Idle dreaming is often of the essence of what we do," wrote Thomas Pynchon in his essay on sloth. Archimedes' "Eureka" in the bath, Newton's apple, Jekyll & Hyde and the benzene ring: history is full of stories of inspirations that come in idle moments and dreams. It almost makes you wonder whether loafers, goldbricks and no-accounts aren't responsible for more of the world's great ideas, inventions and masterpieces than the hardworking.


"The goal of the future is full unemployment, so we can play. That's why we have to destroy the present politico-economic system." This may sound like the pronouncement of some bong-smoking anarchist, but it was actually Arthur C. Clarke, who found time between scuba diving and pinball games to write "Childhood's End" and think up communications satellites. My old colleague Ted Rall recently wrote a column proposing that we divorce income from work and give each citizen a guaranteed paycheck, which sounds like the kind of lunatic notion that'll be considered a basic human right in about a century, like abolition, universal suffrage and eight-hour workdays. The Puritans turned work into a virtue, evidently forgetting that God invented it as a punishment.



Perhaps the world would soon slide to ruin if everyone behaved as I do. But I would suggest that an ideal human life lies somewhere between my own defiant indolence and the rest of the world's endless frenetic hustle. My role is just to be a bad influence, the kid standing outside the classroom window making faces at you at your desk, urging you to just this once make some excuse and get out of there, come outside and play. My own resolute idleness has mostly been a luxury rather than a virtue, but I did make a conscious decision, a long time ago, to choose time over money, since I've always understood that the best investment of my limited time on earth was to spend it with people I love. I suppose it's possible I'll lie on my deathbed regretting that I didn't work harder and say everything I had to say, but I think what I'll really wish is that I could have one more beer with Chris, another long talk with Megan, one last good hard laugh with Boyd. Life is too short to be busy.



(Anxiety welcomes submissions at anxiety@nytimes.com.)
Tim Kreider is the author of "We Learn Nothing," a collection of essays and cartoons. His cartoon, "The Pain - When Will It End?" has been collected in three books by Fantagraphics.

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